I have loved modern ballet ever since seeing my mother's cousin, Michael Ho, dance with Ballet Rambert. The music was offset, spiky, rhythmic, arrhythmic and with it, the dancers' bodies contorted, froze, lilted and expanded in ways I found mesmerising. In these two pieces. I have looked at ways of testing the materials, working the 'background' to show another layer, finding areas of near-repetition and areas of fold that traverse the rules of representation that I set myself when making my other pieces.
A mosaic of moments